Alice Worth

The Wonders of World-Building

The other day, a friend messaged me to ask how the phases of the moon might affect a fight between a werewolf and a vampire. (Yes, I get these kinds of messages. Damn right you're jealous.) She’d just come from a party where someone was pondering whether a full moon would benefit a werewolf, or a new moon a vampire. My response was twofold: first, she’s going to right kind of parties; and second, it would depend on the mythology of the world in which the fight was taking place.

Have you ever stood in the ice cream aisle at the grocery store and pondered the seemingly endless options available to you? That’s maybe the best analogy I can think of for urban fantasy when it comes to worldbuilding and mythology. So many flavors and combinations! Some are our world but with magical or supernatural elements; others are so different that they hardly resemble the world we know at all. My Alice Worth series is the former; our world, but with supernatural elements and magic and the complications that come with them. Of all the dozens of UF series I read (and have read), perhaps the best example of the latter I can think of is Anne Bishop’s wonderfully imaginative The Others series, which takes place in a fantastically detailed and very unique alternate timeline.

How does one go about creating a world? I’m sure every author answers that a little differently. It probably depends on how different of a world he or she wants to create. What elements of the setting should be recognizable from our own world? How many will be different? It’s a wondrous continuum of ideas.

For me, it began with the idea of criminal organizations using magic to amass power, influence, and profit. From there, I developed the magic system of the Alice Worth series: innate natural magic based on air, water, earth, and fire, plus blood magic—powerful and illegal. There are spells and wards that require intricate combinations of symbols and energy. Magic is a powerful resource, and whenever there is a resource, there will be people who want to control it (crime syndicates and government agencies). Add in supernatural entities (ghosts, vampires, and shifters for starters) and you have the basics of a world for your characters to inhabit. The narrative fills in the details and brings that world to life, if you’ve done your job well. If you’re very good, your readers can feel as though they are in that world with your characters, facing the same challenges and seeing the same wonders. When it’s done well, it’s just…magical.

Of all the series I’ve read (and wow, are there a LOT), my favorite “world” is that of the Kate Daniels series by Ilona Andrews. It’s so different from our own world. “Waves” of magic and technology alternate throughout the day, rendering first all technology and then all magic inert in turns. This affects literally every aspect of daily life. In addition, Kate’s world is inhabited by every supernatural and mythological creature known to man and then some—and the vampires are, hands-down, the most unique of any series. I won’t spoil anything more because if you haven’t read this series, you are missing out on what I think is the best in the genre, or one of the best. It's so good that I really can't even do it justice without giving away too much. Total package, the Kate Daniels world takes my top prize for Best Worldbuilding.

Really, as with ice cream, it comes down to taste. Some prefer worlds that are more like ours; others love the chance to jump into a world that’s very different but stops short of being high fantasy. Anne Bishop’s The Others series is about as different and fantastical as I like to go. I like to see elements of our world in the one I’m reading about.

What are some other examples of excellent worldbuilding? I love Kim Harrison’s Rachel Morgan/The Hollows series for that, as well as Nailini Singh’s Guild Hunter and Psy-Changeling series, Karen Chance’s Cassie Palmer/Dorina Basarab series, another (short-lived) Ilona Andrews series called The Edge, and Richard Kadrey’s Sandman Slim series.

This isn’t meant to be a complete list (goodness knows I haven’t read everything in the genre, and there are a dozen more I’d like to put on here), so I’d love to hear your thoughts and recommendations. What are some great authors and series I’ve left off the list, and why do you love them?

Thanks for reading! Now, I’m off to buy ice cream!

The Music of Heart of Malice

Music is powerful. Just today I was watching and listening to various live performances of some of my favorite artists on YouTube and feeling goosebumps. It made me think about how important music is in all our lives.

If you’re interested in what I was watching, it was Prince’s incomparable guitar performance during George Harrison’s HOF induction ceremony, Guns N’ Roses’s VMA performance of “November Rain” feat. Sir Elton John, the 12-minute album version of Meat Loaf’s “I Would Do Anything for Love (But I Won’t Do That),” Prince’s performance of “Purple Rain” during the Super Bowl halftime show, and the entire live “Pulse” concert by Pink Floyd. I got a lot of work done while I was listening/watching, but sometimes you just have to stop and marvel at some of the musicians we are and were lucky enough to share the planet with—and then mourn the loss of some who were gone far too soon.

If you’ve read Heart of Malice, you know that Sean and Alice love music—particularly classic rock and especially on vinyl.

Their love of music (and their preferences) reflect mine. I love to sing and I listen to music pretty much all day, every day, whether I’m writing, working on social media posts, grading, or preparing lecture materials for my classes. While I prefer music without lyrics while I write, my music tastes in general are pretty varied. I love classic rock, oldies, country (up through about 2000), blues, jazz, R&B, hip-hop, pop, hard rock and metal, hair bands…you name it, it’s probably on my iTunes or a channel I listen to on Pandora.

As I was writing HOM, I also compiled a soundtrack (or a playlist) that I feel is an essential part of the book. Some songs and artists are mentioned or discussed in the book, and others simply pair well with particular scenes. The opening chapter, for example (no spoilers here!) works even better if you listen to Nancy Sinatra’s “These Boots are Made for Walking” while you read it. (There are only two things Alice loves more than her music collection: coffee and good boots. I can definitely relate.)

The soundtrack/playlist follows the book from the opening scene (“Wanna do something insane?” “Absolutely.”) to the final chapter and its ominous last words. Feast your ears on classic songs from Nancy Sinatra, Eddie Money, Prince, Juice Newton, Metallica, Pink Floyd, Pilot, Evanescence, the Rolling Stones, and more. I’ve even put the playlist together for you to listen for free on Spotify. Click HERE to listen.

And if you’d like a sneak peek at Fire in the Blood, the second book in the Alice Worth series, you can already listen to that playlist HERE. FITB is complete and scheduled for release in spring 2018, but you don’t have to wait to hear the soundtrack to Alice’s next adventure.

Happy listening!